Showing posts with label hugo house. Show all posts
Showing posts with label hugo house. Show all posts

The Dramatic Everyday

Friday, June 3, 2016

Project As[I]Am has a call for submissions out right now! The topic is "Our Greatest Resource," on emotional labor, care, and love letters to yourself and others united for a more socially just world. Get your submissions in by June 4th -- we'd love to see your work!
 
These past few weeks have been a marriage of opposites. I’ve been trying to climb into a steady routine, but each time it’s been interrupted. Some things were expected, like feeling too tired to move after a full 8 days of work. Others were needlessly difficult, like my recent apartment search which ate up all the time I would have used playing with creative energy. And then along came loss.

 
I saw the closing of the old Hugo House, where I got my start as a 14-year-old writer. My own emotionality caught me off guard. During the last event, I wandered the halls and took pictures of the messages folks had put up. Tearful ones and frustrated ones, silly nonsense rhymes in the mix with professional artists sending the place off. I was reminded of all the years that I spent volunteering and taking classes there. Taking down the track lighting in the ceiling while standing on a wobbly ladder; being too timid to approach the mic during a performance class; people chuckling as my phone went off during a quiet writing exercise (at the time, the ring tone was my friend screaming “JORDAN, PICK UP THE PHONEEE!”). So, so many memories wrapped up in that space.

Then the last of my family’s cats died. Abby, the one whose kitten face is immortalized in a dusty photo on our fridge. Compared to the prognosis given a little over a year ago – that she would live only 3 more months with this kidney blockage, and in pain at that – she’s hung on for a good long time. She made a cross-state move to California, where my dad held her paws as she took her last breaths. The last cat that died is buried out in the backyard; though this cat's body is not here, the house feels even more full of ghosts.

It’s the mundane that unites it all. The dishes that must be washed, the laundry put away. The car driven, the apartment seen, the phone calls made – the spreadsheets too. The schedules updated and the to-do lists lengthened. This weekend, my best friend and I went through boxes of my old journals and got wrapped up in the nostalgia of letters sent as small children. What started out as a requisite task of moving turned into something more like a commemoration of the places and people who have been meaningful in my life.

It’s been therapeutic to shed what needs to be shed and to mourn what deserves to be mourned. I’m still losing a lot of sleep worrying about projects and next steps - but that, I suppose, is the complex blessing of being alive.

Where in the World Is...?

Thursday, April 14, 2016

Shaka - bracelets made out of shells, here shown in different stages of the cutting and carving process.

Currently, I’m in transit. I’m headed to New York to speak at the Muslim Protagonist conference at Columbia University. Just three weeks ago, I was in Dhaka living an entirely separate life. And for the interim it’s felt as if all of that melted away as soon as I left the landing strip.

Flying that long of a distance is really strange – your time perception gets messed up no matter how regularly they dim the lights and project a starscape up on the overhead bins. When I hit the airport in Dubai, the past 8 months already felt like an elaborate dream. And Dubai airport is not the place you go to get a grip on reality. I forced myself to sleep for the majority of the flight time – my special skill – but there was a painful few hours at the end of it where I couldn’t go into vampire mode. I sat there trying to imagine what going back to my childhood home would feel like after all these months (and even years) of being away.

I think the only thing that taught me is that it’s impossible to envision how you will feel in the future. I could easily picture the big kitchen island, but I couldn’t know how surreal it would feel to be there without my dad. How frustrated I would get when I didn’t know how to change the light fixtures; how many ghosts would creak up and down the hallways, making it impossible for me to go downstairs. The friends who I grew up with remarked on it instantly when they visited – the creeping emptiness now that my dad (and the cat) have moved south.

But that wasn’t apparent at first. When I landed at Seatac, it was just as if I had come home for another brief vacation. I still haven’t fully accepted that I will be living in Seattle full-time after coming back from NYC. I have barely processed how fast things have moved. In the past two weeks, I’ve accepted 2 part-time jobs, submitted several pieces, and hosted a writing workshop at Hugo House on writing complex characters of color. All while getting through the physical effects of too-rapidly moving through time and space.

I'm in transit, but looking forward to putting down roots. I'm here, but I don't yet own it. Ringing in my ears is the sound of the Homeland Security agent's voice as I entered the country: “Welcome home.”

6 Tips from Writing Workshops: Opening Lines, Content, & Revision

Monday, June 6, 2011

This weekend, I had the pleasure of attending an all-day set of writing workshops at Richard Hugo House in Seattle. Since I have been learning to beat writer's block, this day was a necessary shock to my system - an entire day of learning, writing, and revising is just what I needed!
And, because I believe in the power of sharing, I thought I would disclose some of the most valuable writing lessons I took away - specifically on openings, content, and revising.

On Location: Write-o-Rama

Saturday, June 4, 2011

Today, I will live-Tweeting from Write-o-Rama, an all-day writing workshop event that raises money for the Seattle-based writing organization Richard Hugo House. Follow my Tweets (@thecowation) or #writeorama for updates from the workshops and advice for writers!

Rollin' Rollin'...

Thursday, May 20, 2010

I have returned to Seattle! And so have my boxes (finally).
I feel as if I am still in transition from New York to Seattle; I wouldn't say that I had major jet lag, but I definitely woke up at 6:30am everyday since I touched ground and am only now getting on to a reasonable 8am. The greatest adjustments are getting back to living with my parents, obviously, and having to find a new job and means of entertainment. A lot of people are still in school, so I mostly have to make my own way around here - it's all good though because I am definitely having a blast trying out new things and finding my own routine.

New To My Life:
1. Roller skating!
I became infatuated with roller derby, so I decided I would jump right into it this summer. I bought all my first-timer gear and started to practice skating again (even going to a PFM New Skater practice and getting my butt kicked!). I haven't done it since elementary school so I obviously need a lot more work, but that is what the summer is for! I hope that I will become comfortable enough on skates before I go back to NYC that I can start trying out for practice teams there - I seriously think that this form of exercise beats walking by a mile!

2. Working at ZAPP!
Yesterday, I started work at the zine library at Richard Hugo House, and it is pretty awesome. I get to hang around the zines all day and the work is pretty chill - I get to do the same things that I had done at the Barnard library and also work on my own zine (which I was going to do anyway, but this is a happy motivator). It was a great reunion feeling when I came back to Hugo House for the first time; I am thinking about taking a summer class there too if I have the time. This time it will be for one about editing novels, since I want to get my NaNo 2009 novel up and running.

3. Driving!
This isn't really a new one, but when you've come back from a land of public transportation, it sure feels new. I am not worried about my skills, but I definitely feel more shaky on the road these days...

4. Health and fitness transformation!
No, not a crash diet and some other craziness, but I am going to start making an effort to take care of myself again. I feel like when I was in the dorms, I let myself go in favor of hitting the books or some other stupid reason, so I have decided to regularize my routine, get a few new products, and start exercising [biking, swimming] in between my skating.

The rest of the updates are my typical over-planning: read books, write blogs, watch movies, go places, be awesome. Everything that keeps me entertained is sticking around, including the writing reviews and other updates. Consider this an atypical post as I adjust to my surroundings - content to come!

P.S.
There are new links at the Cool Links section! I added a lot - does that say something about my summer internet use? Check it out!

Creative Lessons

Tuesday, June 9, 2009



I have been bursting at the seams to just do something other than school. Thankfully, we only have 7 days left, and I've finished all my projects up to now - but that still does not mean I have been sitting pretty with the whole "spending seven hours of my life" thing. However, I will just pray that this week moves as fast as I believe it will and look towards a summer of crafting and personal time.
My mission is to consolidate myself; focus on the creative and work with less. I amassed a lot of stuff during the years due to either creative ventures or packrat habits. So, in focusing on a new era of my life, I am moving away from the old clutter and towards simplicity. I really like having space in my room these days. But, enough about all my plans, now on to some writing!

I found a memory box that was in the living room (which is code for "kept away from J's crazy cleaning episodes") so I really wanted to write a poem about it. Unfortunately... it didn't come out as well as I thought it would. Oh well, life's a journey! Here it goes.

Ode to a Missing Box
In small spaces
Where old papers are often shoved
In the attic
Or basement
Or closet, untouched
The minute hand ticks
Raking in the moments before...

I pass out these gifts
Collect wizened acorns
And jaunty hair bands
Bring buttons, umbrellas, letters, and crayons
Back to life
Then send them, once again, to silence.

When does a memory
Stop being an object?

When I close its doll eyes
And press it snugly to sleep
Thence it creeps
From the glowing vibrations of being "now"
Into the immeasurable heap
That wide expanse
Of teal papers, crimson hats, empty promises,
Shrugged shoulders, sighs and rats;
"What were you thinking?" comes to mind.

My mystery box, a missing box
A wickerwork/cardboard/metal creation
The lazy foundation
For the years
after the formative years;
Youth ignores you
Not callously, but without guide
Big boys and big girls let you dwindle and fade
Jobs now, babies, and still getting laid
But!
In the waning years of our ever-waxing moon
We wish to unearth you
Remember all your details, plot holes, and character devices
Like all those pleasant novels that we heard about when we were kids

Sometimes...
We seek out the embrace of stuffed toys
The cardboard-bound books
The makeshift craft fairs and first attempts
(Then, of course, we curse ourselves for not being so diligent)
You open for us
That whole hidden world

Missing box, mystery box
Shoved away in blank spaces
Reappear on blank pages
Save us shame later by exploring us now
(Who's to say what's adult anyway?)
We crack open your lid
Shake the dust from your sides
Bring you close to the eye...
And let the moments before pour out every last drop

The spell has worked!
Mystery box, missing box
Now we are free...

I am grateful for...
Being able to take a zine class at Richard Hugo House! On a whim, I asked my dad to sign me up and now I'm going to learn how to bind books; I always do better with an instructor. Go dad!


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Predictive Text

Thursday, March 26, 2009


So, if I were to title this blog post fully, it would be called: Totems Got Talent & the Predictive Text of My Life. Because for some reason whenever something clairvoyant or similarly hinting at a future time, I (rather than calling it foreshadowing) call it my "predictive text." Aren't we so glad to be in a modern age?

Memoirian Highlight: Totems Got Talent

The afternoon was a lazy bump on the log of my life (and as melodramatically cliche as that sounds, it was the only fitting introduction). I bummed around after I heard tennis practice was canceled, yet again, due to hurricane-like rains. Seriously? We've been outside for a full practice perhaps 2 out of 16 days of tennis now. Wonderful, wonderful Washington.
But the "gift of time," as Ms. Keeney deemed it, was thrust upon me, and I had only the inclination to do the responsible senior student thing: sit on my bed, reading and knitting. I probably should have worked on my portfolio or studied up for some test that would possess my soul in the coming days, but instead I just piddled my time away making string into fabric and finishing up the last 100 pages of
Fool.
Eventually, it was time to rise from my aching seated position and wander off down the street to Sammamish High School for Ka-chan's Totems Got Talent show. Sometimes high school ideas are not bad, sometimes they are not good, but generally they are always fun to watch. So I loped from the bed to my car and drove in the direction of the sun, which, by the way, was
directly in my face because I am too short and therefore the protective covering did not reach my eyes. I really need to get sunglasses - curse you awe-inspiring natural occurances!
As I reached the school, I was still wrapped up in my literary world, and so after I bought the ticket, I began reading in my seat. Frantically, and with a passion, I finished the final 20 pages of the book and was satisfied just as the lights came down for Peter and Ali.
As our hosts, they were a soft-spoken comedy act and just funny enough not to upstage the performers. There were many many musical acts - most of them amazing, actually. There was a violinist who really made the canaries sing with her performance of The Hot Canary (she won 1st place), a boy who used the entire guitar as both a percussion and strummable instrument (who won 2nd), and a tap dancing tiny chick who was sparkly and beautiful and I don't know how she got her legs to move like that (who took 3rd). The other acts were inspiring as well; both hiphop and interpretive dancers, giving us a feel for the entirety of the dance world, a bevy of singers from jazz choir and other hidden talent pools, speed painting and comedy from Ka-chan, Mr. Leffler going down on Mr. Kendrick (who was a judge, and actually super awesome with his obviously faked German accent and Diet Coke montage) and even a lip-synching Pokemon master - which may have been a little stretch for the judges. Other than Kendrick, the judges were Gingrich (an older man with a dry wit and a round intonation) and Renee (a blond woman who was clearly the "nicest" of the panel). Overall, the night ran one hour longer than expected, and I was set to marvel at the colored lights flashing on the back of the stage as my starvation muscles clamped down over my stomach. I hurried out to give Ka-chan a goodbye hug and then rushed home to garbanzo beans and dal.

Right now it's foggy outside, but I must tell you that the clouds will eventually part and perhaps we will see shining day this afternoon! I have now the conviction to go to Cheap Wine and Poetry, which is totally awesome because I love literary readings and am kicking myself for not being more involved in Hugo House as of late. Anyway, other than that, life is pretty much a monotonous hole that I'm trying to read my way out of (finished "Death of a Salesman" and Fool in the last two days - along with two knitted squares of variable difficulty)

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Memoirian Highlights: Part One

Sunday, March 22, 2009


I think I am going to do a monstro-post after I finish with my theater presentation outline - hold on a second.
Back! Alright, so I was debating all day whether I should post an omnibus post about the weekend or if I should split it up into specific days [I know, why do I think about these things that much? Probably because I'm a crazy person] and finally decided that I can suffer through writing a longer post as long as I split it into sections. So... here it goes!

*DISCLAIMER* After a conviction of the heart on Friday, I have decided to write personal narratives in a style I call "Memoirian" because it combines my metaphoric-physical perception of self with the true events [a.k.a. my fictitious life and my real one intersect - sweet!]

Vendredi
I woke with a stutter. My lips pursed together and I let out a long wheeze - like the slow death of an old car. I rolled over once, buried my nose into the red pillow before tossing off the sheets. I woke up too early, I thought, though, truly, my issue was going to bed too late. After a week of WASLing, I had grown accustomed to 9am wakeup calls and elaborate mango smoothie breakfasts.
As I stumbled into a simple dress and tanktop, pressing a comb haphazardly through frizzy hair, my stomach howled for morning food, which today meant a buttered English muffin. I groaned.
After riding into the back parking lot, circling hawk-like for an exclusive space near the tennis courts, I grudgingly put my hand on the parking brake and stepped into the school. Catcalls and curses in the hallway over waking up at this godforsaken hour passed by and, all of a sudden, it was 7:30am and we were herded into the cafeteria for a special project.
"Welcome to Group IV!" called Sheriff O'Byrne, once Principal Principal now morphed into a solidly built cowboy with a megaphone. Interlake's day of forensic crime scene investigation was about to be underway. As we huddled with friends, muttering about our misfortune, the Sheriff rounded us up and separated us into hesitant groups.
I found myself sitting at Table 3 of Group IV, waiting with a surly expression as other layabouts congealed around me. I was not pleased - though I suppose it beat going to English class. We were then given our case (armed robbery of the accountant) and were shuttled off to prescribed classrooms.
The remainder of the day was a blur of mindless activity; from H.Q. Thompson's, we fingerprinted suspects, used bullet trajectory to recreate the scene, and took an extended lunch break (at which we went to buy cupcakes for Ms. Dossett and other burned out children). Just like true lawmen, by the end of the day we were ready to crash and I took refuge in Madame's just in time to catch the conclusion of
Moliere.
Though it wasn't a poor day, it was extremely dull. I was charged up to go to tennis practice (after mistakenly missing it the day before - eck) but then "LA PLUIE DES DIEUX!" came crashing down. Hail feathered our courts in a blanket of white quickly swept away by rain - I stood outside and laughed, pseudo-searching for the coach while truly just watching the macho baseball guys jump away in fright of the falling stones.
Needless to say, practice was canceled.
So, I went instead to chill at Kita's for about an hour and a half, talking as we do, and then gracefully left to my own home in preparedness for the evening. I was ecstatic to be going to see Vikram Chandra at My Avatar (the final leg of the Hugo House Literary Series this year) but, as in previous literary series, I was blown away by the entirety of the show.
We got into downtown Seattle and went to the Town Hall; once I got inside, the columns and church-like windows, the pews covered in teal upholstery, and the semi-circular amphitheatrical feel got my pen moving as people migrated to their seats. First came The Maldives, a pretty awesome folk band that was the source of jokes all throughout the night (from the director at Hugo House, commenting on numbers [8], their instruments [banjos and harmonicas], and their beards [5/8 of them had beards!]) As they calmed down the audience, the Hugo House director pranced up on stage and joyfully opened for the winner of the Youth New Works contest - a senior at Roosevelt who was more than a little nervous. As she read her work, I considered my own writing dream and the trials and failures that would come with it. Though the smear of jealousy painted my face for a second (ok, maybe a minute) it passed as I eased into her story and thought of how many great writers are coming into being.
The next thing I noticed: patterns. The winner of the New Works contest for adults, a bubbly woman with an acting frame of mind and stock-straight posture, was wearing a patterned dress that matched the jacquard (maybe?) print of the carpeting. The director at Hugo House was also wearing a patterned outfit - complete with stockings that looked more Urban Outfitters than Armani Exchange. I appreciated the color and life as each of the winners completed their stories (both about growing up, both wildly different in every way) and the Maldives were asked back to the stage to intro for the next amazing personality - Christa Bell.
I didn't know what I was getting into when I first came to the show. I really didn't. Maybe it's because, in the back of my mind, literary readings still connotate to coffee shops and dive bars where people snap instead of applaud and everyone is smoking. No! Christa Bell, a beautiful black feminist poet, taught us heartily about Sheism that night, taking her new scripture continuing on CoochieMagik and playing with the audience. She experimented with singing, vaginal hand gestures, and coochieomancy (the art of asking a question and then opening up a woman's legs to - surprise! - know the answer). I wish I could say I was that confidant on stage - but I honestly can't.
As she left the stage to applause and scattered standing ovations, in between wondering about what the older couple in front of me had thought (they hadn't responded at all throughout the entire thing) and trying to jot down mental notes about technique for my graduation speech, the Hugo House director announced that "she felt sorry for the guy who had to follow that!" And here, coming out on stage, was Vikram Chandra.
I had not seen him clean-shaven or with glasses before, nor had I envisioned him as a portly man. But he was all of these things, and he was still brilliant. I believe that some writers are also performers and others are less so - Vikram is of the latter category. But his prose sang, a draft worthy of my praise (and Da's hard-earned cash, as I bought another of his novels outside at intermission). I closed my eyes part of the way through to envision the glittering red trapeze artist falling to her death.
That moment was when I felt my dream as a writer legitimized. It was inspirational.
Vikram segued into the intermission, retreated into the audience with a kind smile, and I began to jot down more notes. That was when I decided to work in Memoirian style - I didn't have to be literal all the time. Memoirs could be flashy and fun and whatever I wanted (plus, I much consider this style more like reality; we combine countless portions of fiction into our daily lives anyway). I briefly looked up from the page I was scribbling, which consisted of the conversation of two women behind me talking about language barriers and general oddballities, and there were The Maldives, gracing the stage with their gangly limbs. They introduced Cheap Wine and Poetry (which I might go to this week!) and then sashayed into playing two more songs before the final reader stepped out on stage: Jennifer Finney Boylan.
A transgendered man who became a woman, Jennifer from James, read a portion of memoir about her life in two worlds. She had apparently known Vikram Chandra at Johns Hopkins in grad school and read about him in her story (and made me smile at the strange synergy between my bringing a Hopkins bag with me from the shoe cage and their stories) as well as a porcupine in an engine and a convention of ventriloquists. She also played electric harp and the piano, sang a song that she hadn't ever performed for an audience, and generally lit up the stage with wonder. I was just so in awe of all the guests that night, I came home exclaiming that things were awesome and ready to start writing for miles and miles of paper.
Unfortunately, I fell asleep.


Ok, ok, I know... I was going to make this a monstro-post, but that didn't seem to work out once I got in the groove of Memoirian language. So, there. I have officially changed the name of this post to Part One and will hence commence with Part Two - Samedi [a.k.a. Saturday in French, in case you didn't realize that Vendredi meant Friday in French and that this was the logical next step of a Part Two post]. See you there!

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Thither

Saturday, February 28, 2009


Thither

This is the point where I realize that editing is a really long process. A really long process.
My class today was extremely enjoyable, however, because of that realization. It really demystified the editing process for me and made it seem like a lot of fun because - as everyone should probably know by now - I am somewhat of a grammar nerd.
We went over sentence-by-sentence edits today amidst other topics, and I want to go learn the grammar rules and etc. now! I have some books on it, but I have not had the time to crack them open yet. Now, at least, I have an excuse to! Hoorah!

Anyway, besides that, the word I got today was thither. These assignments are a lot more interpretive than others and involve a little more editing - which makes me feel more "artsy" as a photographer, haha. I really enjoy it so far because it is a challenge that I'm embarking on [every day!]
When I first started thinking about the word, I was heading out to get my hair cut. As we passed the miniature forests, Da made a comment about the underbrush and how you can see it in winter. So I thought that I would journey out and get that for thither because when I think of it, I think of fairies and forests and mystical things. [I saw a BRB sign by the way, haha! It was amazing - the construction workers put it up in the middle of Redmond. If only I had my camera!] But then, when I got home, I realized that thither might be something completely different. I knew that I wanted to use the dead roses from Valentine's Day in something, so I grabbed them and went through the elaborate process of making a makeshift tripod in my stairwell to take this photograph. Ah, books and a step stool and cropping skills... quite nice when combined in the right fashion!

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Semi-Automatic Learning

Saturday, February 21, 2009


Today I attended Righting the Craft - a class on revisions - and guess what? I actually want to revise! Throughout the class, we gathered many writing exercises that help you unlock your own work (it's very similar, actually, to analyzing published works in English class - I just never thought of applying the same principles to drafts of mine).
Aside from that, I realized that I probably should finish some of my work before it can be edited. Therefore, my new Goals of the Month are going to be: finish a story at the end of each month and edit at least 250 words per day. This is alongside the 250 word generative writing exercises; sounds like a good plan to just become an overall better writer and reader, I think.

When I'm feeling more awake, I think I will document some of the class, but for right now I am just going to show off this picture of my desk in all its glory. Enjoy!

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Writing and stories are also available for your reading pleasure.

A Burst of Emphasis

Saturday, March 8, 2008

My Vocalize class really went well today. (haha, understatement of the year)
I don't know, maybe I just thought of all the high school stuff that goes on when you're addressing your peers and when there's something, ya know, serious that you're working on and everyone just doesn't seem to get it but... it wasn't there. It was wonderful. The class was such a safe environment for workshopping. I really really felt that when Kate started bringing up some really heavy emotions and cried on stage. That was really amazing. Because it wasn't shocking at all and we were all very helpful with her - not critical or giggly, but just really happy that she could go there and come back. She says she's never cried when she read it off the page, but that once she memorized it... that was just a powerful moment.
My own experience was not as extreme, but when I went up there and worked on two of my favorite poems (which were also, consequently, the hardest ones to work on) I really felt welcome. Maybe I'm a different person in these outside classes versus who I am at school [in fact, I know I am. why do I even have to say 'maybe'?] Not to be repetitive, but it'll be nice to get out of the high school atmosphere so I can be that person I like more often. To the poems, I think I realized that I am not being as crazy as I think I am when I read them to myself. A lot of what I learned was to really trust my instincts - because they're good, they just need practice. The other thing was that I had to face the devil in my pauses. x_x I learned... pauses aren't awkward for the audience! They're just awkward to stand up there and feel the pause. I have to practice that. The main thing is to keep an image of enjoyment in your mind to sustain a calm pause and not a twitchy one. *must work on that*
I think I'm going to go to Cheap Wine & Poetry on Thursday. Maybe I'll do a piece on the open mic. Maybe I'll bring a friend.
That's another thing. I think I've totally gotten over everything (I'm probably lying to myself again, but as of this moment...) In terms of letting everything out and, you know, trying my best not to care anymore. It's a nice release-like feeling. But I've probably screwed up. I'll see how it is next week. I just don't want to be the only one working for a better friendship, so I must see where he's at too.
Last note: I have such a paranoia about my music choices! GAH! I love a lot of pop. I admit it. 90's - mid-2000s, I'm totally there. Motion City Soundtrack, New Radicals, Garbage, I love you!
[mock me if you will, non-conforming conformist rock people!]