Showing posts with label home. Show all posts
Showing posts with label home. Show all posts

Where in the World Is...?

Thursday, April 14, 2016

Shaka - bracelets made out of shells, here shown in different stages of the cutting and carving process.

Currently, I’m in transit. I’m headed to New York to speak at the Muslim Protagonist conference at Columbia University. Just three weeks ago, I was in Dhaka living an entirely separate life. And for the interim it’s felt as if all of that melted away as soon as I left the landing strip.

Flying that long of a distance is really strange – your time perception gets messed up no matter how regularly they dim the lights and project a starscape up on the overhead bins. When I hit the airport in Dubai, the past 8 months already felt like an elaborate dream. And Dubai airport is not the place you go to get a grip on reality. I forced myself to sleep for the majority of the flight time – my special skill – but there was a painful few hours at the end of it where I couldn’t go into vampire mode. I sat there trying to imagine what going back to my childhood home would feel like after all these months (and even years) of being away.

I think the only thing that taught me is that it’s impossible to envision how you will feel in the future. I could easily picture the big kitchen island, but I couldn’t know how surreal it would feel to be there without my dad. How frustrated I would get when I didn’t know how to change the light fixtures; how many ghosts would creak up and down the hallways, making it impossible for me to go downstairs. The friends who I grew up with remarked on it instantly when they visited – the creeping emptiness now that my dad (and the cat) have moved south.

But that wasn’t apparent at first. When I landed at Seatac, it was just as if I had come home for another brief vacation. I still haven’t fully accepted that I will be living in Seattle full-time after coming back from NYC. I have barely processed how fast things have moved. In the past two weeks, I’ve accepted 2 part-time jobs, submitted several pieces, and hosted a writing workshop at Hugo House on writing complex characters of color. All while getting through the physical effects of too-rapidly moving through time and space.

I'm in transit, but looking forward to putting down roots. I'm here, but I don't yet own it. Ringing in my ears is the sound of the Homeland Security agent's voice as I entered the country: “Welcome home.”

Homemaking

Thursday, November 6, 2014

 
Bookshelf with notebooks and small clay elephant.

***
She made homes out of old boxes and bleached out pillowcases. She made homes out of too-heavy earrings that dragged down her ears. She made homes out of imperfect things. She made them out of whatever was convenient.

Even now, I wouldn’t even know what to do with a perfect apartment. In my last place, there was a point when I knew it was time to go: the moment when I woke up in the middle of the night to find yet another cockroach had made its way from my bedframe to my shoulder, I knew. I turned on a lamp and stared at the sheets till I could justify the incident as a blessing in disguise – the mom I was working with at the time texted me to tell me that she had just gone into labor. But when I returned the next day, I had no more excuses.

Though I’d been living in the city for four years of college, it felt like a brand new universe when I was on the lookout for places. I had to think about train line access and whether I’d get enough light. I had to make peace knowing that more than half my paychecks would be going towards having a place to sleep at night. And I had to contend with the fact that I will be a gentrifier in most of the neighborhoods I can afford.

Here and everywhere, she was a fixer of things. In a house with painted locks and cracked headboards, she polished the silverware until it gleamed.

“The safest space I have right now is… my home,” says my interview buddy on the As[I]Am podcast. They go on to describe the hard work they have done to make that happen, to spin their own cocoon. That resonates with me. I think about all the homes I’ve been blessed to set foot in this year. In a city where free event space is scarce, people use their apartments creatively. I’ve seen people host salons in their living rooms and workshops on their kitchen floors. Some of the most inspiring art is shared in the tiniest of venues.

When her brothers brought the war into their dining room, she knit her fingers behind her head and hummed a tune. Homeland, homeland...

I continue to think that the measure of a New York transplant is in her apartment stories. The ones I’ve been up close and personal with are the “escape from roommate hell” and the “pest-pocalypse,” with their ever-popular variations. But I've also seen people breathe life into inhospitable places. In a marriage of desperation and ingenuity, we learn to make the city love us. It's not always romantic, but at least it isn't lonely.

While they screamed and kicked each other under the table, she wiped down the tabletops and shut off the lights. In the dark, they fell silent, seething. They felt the walls to get around. She stomped her feet against the floor, just to know she could. It was a comfort, really, to know that it would hold, no matter how heavy.

(experimenting with blending fiction and non-fiction today in my piece about home and homemaking)

Bideshe Amra Bangladeshis: Celebrating Independence Day in Diaspora

Wednesday, March 26, 2014


I recorded my boro chacha’s stories about the Liberation War one hot summer afternoon in the village house in Kushtia. We went into his private room with the fan turned on, but it was still sweltering; every few seconds I would swat at a giant fly that had swirled in too close to the recorder, or a baby would come toddling in for my boro chacha’s attention. But this was the last day we would spend in the village, and I knew that, despite the distractions, we had to finish.

Boro chacha is known as the “hothead” of our family – a label I also take after. It’s said that he couldn’t stand to be anywhere that compromised his values, which sometimes left him jobless. He was serving in the army in West Pakistan when the war broke out. So he disappeared. He deserted the army, changed his name, and hopped trains until he showed up out of the forest at the door of our village home. There were no reliable communication lines, so my family describes his arrival like the appearance of a ghost. Boro chacha takes pride in speaking Urdu so well that it allowed him to escape. He wasted no time at home though. A few weeks later, he left again – this time to serve in the liberation army.

My boro chacha is a wiry man in his seventies now, wearing a lungi and a long grey beard. I have my sister with me as we talk, and she will also do the written translation work afterwards. I feel embarrassed that I cannot understand it myself; I do not know enough Bengali to hear this story from boro chacha’s own mouth.

I found my connection to Bangladesh when I was fourteen: the year I found out I was adopted. It wasn’t part of the plan – my white adoptive mother spilled the beans. It was within the family; my Bengali adoptive father brought me into the U.S. when his sister could not take care of me in Bangladesh. I became a child of diaspora by a twist of fate.

Even once I knew about the adoption and having another family somewhere, I still wasn’t “connected.” I didn’t live in a Bengali community and I didn’t know how to find one in Seattle, where I grew up. Even my dreams of being reunited with family were in sepia tones; I couldn’t imagine Bangladesh as anything but a dusty set of buildings and brown faces. The first time I had any contact with my biological family was in college – when my biological sister found me on Facebook. I became consumed with trying to visit, finally convincing my father that we needed to make the trip in my sophomore year.

I was then able to fill in the colors and sounds – the loud honking of horns in Dhaka streets and the bright salwaars that are the day-to-day wear of women in every class. I was, however, virtually unable to communicate. Despite finally being part of the ethnic majority, I was handicapped by my lack of language skills and had to be led everywhere by my sister. Still, I felt more connected there than anywhere else I have lived. When I had to return to snowy New York for the rest of my semester, only the determination that I would go back helped me to survive through that year.


I asked my father during one of our more recent marathon phone calls: “Have you ever felt conflicted about your identity now that you’ve lived so long in the U.S.?”

“No,” he said, not missing a beat, “I am always a Bangladeshi man – at best, I am an expatriate.” An expatriate. Like the Brits in our country. Not the stereotyped immigrant who has to relinquish all loyalty to their previous homeland for citizenship. No worries about weakening ties. Not a hint of hesitation.

I am jealous of my father’s stability. His feet are firmly planted not only in Bangladesh soil but specifically in our village home in Kushtia, though he has not been back there for more than a few days out of ten years. He knows where he is from.

Celebrating Bangladesh Independence Day feels different when your heritage is more fragile, when you never feel “Bengali enough.” Most days, I don’t feel “American enough” because of how often I am asked to comment on “India” or “South Asia” – just another variation on “where are you really from?” But on this day, I am reminded that although I take immense pride in Bengali literature, I cannot yet read it. On this day, I am reminded that despite my loyal lineage, I feel I am still crashing someone else’s party.

The second time I went back to Bangladesh, I decided I had to collect stories. I begged my Amma, my biological mother, to teach me our language from books for kids in class 1 and 2. I tried to soak in all the family legends and wrote pages and pages of description as if the memories would fall out of my head once I landed on U.S. territory. My curiosity – and insecurity – has pushed me to take classes and read endless articles and books on Bangladesh while I am away. And slowly, ever so slowly, I am getting plugged in to the radical Bengali community that exists in the U.S.

As I turned off the tape recorder, stories in hand, I realized I am still trying to define where I fit into this narrative of national origins. This is a day of recognition: recognition of our pain and struggle, and of our victory. Achieving independence meant defining ourselves by separation: here is what we are not. Now, more than forty years later, we are still defining what we are. It is tempting to feel trapped in insecurities, but on this day I will be gentle. “Once a Bangladeshi, always a Bangladeshi,” my father would say. I am filling in the details of my own story along the way.

Homesick without a Home

Wednesday, September 12, 2012

I'm taking a rest ("air quotes") day today, but that doesn't mean I don't have something for you to read! Check out my article on separating from home while at college printed in the Columbia Spectator. Here's an excerpt:

I’ve heard it called the “learning edge” by Pam Phayme, Director of Barnard’s Office of Diversity Initiatives—that place where you feel like you’re stepping out onto the precipice of your comfort zone. You’re not falling off, completely unmoored from everything you know, but neither are you completely secure in the comforts you’ve enjoyed before. Taken in an academic context, it means that you’re willing to entertain new thoughts and take on new experiences. It’s similar when separating yourself from home: you push your own boundaries to avoid stagnation. This will look different for everyone and isn’t determined by such arbitrary factors as days spent on campus or off.

Individuality and Feeling at Home

Tuesday, September 11, 2012


I stare down the long dark tunnel trailing away from me, searching for the two pinpricks of light that would indicate the train's arrival. Standing on the platform, watching the express pass by me and watching the frozen faces of passengers on their commute home, my stomach became soft, dropping like an empty sack to the base of my abdomen and resting there. The city I live in is a place where you catch these kinds of snapshots every day - the thin black man on the subway scowling into his newspaper or the young Asian woman frying eggs in her pink bra through the apartment window.

It's been written about before. In movies, they try to use it to symbolize human isolation - how we can be so close, but so distant from one another. Bleak urban life. The tragedy of the commons. But in some ways I find it refreshing, that we can carry on our own complex lives and others can catch snippets of them with just a casual glance. That our trajectories are shifting away from each other, even though we live in carbon-copy apartments just one floor above. I'll say it again: it's the complexity that allows us to see that we are not all part of a hive mind or a machine. Our communities must be forged, not taken for granted by being near one another.

This is the absolute opposite from the situation in collectivist cultures.

The Shortest Path Home

Monday, June 4, 2012


Whenever we have the chance, my father and I dive into philosophical discussion. After dinner, before going to sleep, upon waking up (at the absurdly early time of 5:30am, mind you, because my body is still in time shift). We've been talking a lot about the abstract concept of home.

I've talked about 'home' writ large before - in relation to Asian Americans as a whole and my own South Asian identity. But being in Dhaka makes me want to revisit it yet again.